Minstrels and Minimoogs: a post-rock pageant of storytelling, live VJ projection, and avant-virtuosity. 

 

VJ Guitar Synthesist Gregory T.S. Walker

                                                     

 

 

 Allmusic.com has described Gregory T.S. Walker’s music as

 

“a rapprochement between the classical and electronic fields that is different from  and more extensive than any other achieved thus far.” 

 

 

 

The Minneapolis Pioneer Press called Walker’s

Dream N. the Hood for Rapper and Orchestra 

 

“an American masterpiece.” 

 

 

Now the Minstrels and Minimoogs experience takes prog rock to an electronic realm. Intricate arrangements, unhinged improvisation, and audience participation explore a wormhole in time back to Medieval grooves - and then back to the future. 

 

Minstrels & Minimoogs 

Gregory T.S. Walker's

CONTACT:

gregory.walker@ucdenver.edu

 

 

MANAGEMENT:

Matt Werth  RVNG, Intl.

 

LABEL:

Freedom to Spend

 

LINEUP:

Gregory T.S. Walker - vj guitar synth

Elena Camerin Young - vocals

Todd Reid - percussion

 

 

Gregory T.S. Walker is an American Academy of Arts and Letters Fellowship recipient and International Musician cover artist.  A University of Colorado professor and the artistic director of the Colorado NeXt Music Fest, his Dream N. the Hood for Rapper and Orchestra was described by the Minneapolis Pioneer Press as "an American masterpiece".  Born in Northampton, Massachusetts, the son of Pulitzer Prize-winning composer George Walker and African-American womens' music scholar  Helen Walker-Hill, Walker graduated from Indiana University and performed solo synthesizer concerts throughout California before obtaining a Masters degree in Computer Music from the University of California at San Diego.  He premiered his Concerto No. 1 for Orchestra and Synthesizer and earned a second Masters in Composition from Mills College in Oakland, then completed a doctorate at the University of Colorado.  During his studies, he was engaged as concertmaster of the Boulder Philharmonic Orchestra while gaining notoriety with a series of multimedia events, including FlamencOrbit and xy techno theatre. 

 

Walker deconstructed New Orleans voodoo  artifacts in Gris-Gris Man for Video Violin at the 2016 New West Electronic Arts & Media Organization Festival in Tokyo.  In the internationally-distributed 2012 documentary Song of the Untouchable, he explored the music and culture of India's caste system.  His interactive work with Denver teenagers and their perceptions of violence resulted in the production of Looking for the Perfect Planet for Chorus and Video Sampler at the Golden Gate Festival in California.  

 

His music has been performed by Poland's Filharmonia Sudecka, the Colorado Music Festival Orchestra, the Grand Rapids Symphony, the Colorado Symphony, and the Encuentro Musical de los Americas in Cuba, as well as at Great Britain’s Lake District Music Festival, the Lamia Conservatoire in Greece, and the Cork Orchestral Society Concert Series in Ireland, the London Song Festival, and at the Chetana International Music Festival in Kerala, India.  His Bad Rap for Electric Violin and Chamber Orchestra is published by Keiser Music and Global Solstice for Electronic Guitar and Chamber Orchestra was released on the Centaur label in 2014.   A multi-instrumentalist who has appeared as a violin soloist with the Philadelphia Orchestra and has been profiled in Guitar for the Practicing Musician, Walker's work as an interdisciplinary performance artist has also been showcased at the Sonic Circuits International Festival in San Francisco.   His Winter: The Video music video from Electric Vivaldi (Newport Classic) enhanced compact disc has been a staple on Classic FM TV in Europe.  In performances ranging from the Boulder Philharmonic's premiere of The Passion According to St. Toscanini for Quadraphonic Chorus and Orchestra to the Detroit Symphony’s reading of micro*phone for Amplified Orchestra, Walker has sought to break down barriers of stylistic segregation in contemporary music.